Alternative Harmonization

This fine, established recitalist brings his many gifts to crafting introductions and alternate harmonizations on often used tunes—a valuable resource.

…accompaniments is designed to be easier for the less-experienced organist/pianist than the accompaniments found in Lutheran Worship. Those hymns considered most used are provided with more suitable accompaniments. More experienced musicians may also find these useful as alternate harmonizations.

…Hymn Settings for Organ and Descanting Instrument, Volume 1 A collection of twenty alternate hymn harmonizations by David Maxwell, designed to be played with or without descant as the final stanza of a hymn. Alternate keys provided for select hymns. Parts for instrument in C and B-flat included.

…Hymn Settings for Organ and Descanting Instrument, Volume 2 A collection of twenty alternate hymn harmonizations by David Maxwell, designed to be played with or without descant as the final stanza of a hymn. Alternate keys provided for select hymns. Parts for instrument in C and B-flat included.

Brief intonation for each psalm tone includes six harmonizations for settings such as Meditative, Festival, and Fauxbourdon.

Brief intonation for each psalm tone includes six harmonizations for settings such as Meditative, Festival, and Fauxbourdon.

This fine, established recitalist brings his many gifts to crafting introductions and alternate harmonizations on often used tunes—a valuable resource.

…that My Redeemer Lives,” are interpreted in the eight movements of this practical partita. Two, three, and four-voice movements in various styles are present, including an impressionistic sustained-cluster setting for stanza 4. Also includes a free accompaniment and an alternate harmonization.

…Know that My Redeemer Lives," are interpreted in the eight movements of this practical partita. Two, three, and four-voice movements in various styles are present, including an impressionistic sustained-cluster setting for stanza 4. Also includes a free accompaniment and an alternate harmonization.

…the dimension of sound in your worship space. Short hymn introductions with a variety of textures and timbres are provided. In addition, alternate harmonizations to each hymn setting have been composed that may be easily integrated as another accompaniment to either an internal or final stanza.

…the dimension of sound in your worship space. Short hymn introductions with a variety of textures and timbres are provided. In addition, alternate harmonizations to each hymn setting have been composed that may be easily integrated as another accompaniment to either an internal or final stanza.

…imaginative, and useful series that will increase the dimension of sound in your worship space. Short hymn introductions with a variety of textures and timbres are provided. Each hymn setting also has alternate harmonizations that can be easily integrated to accompany an internal or final stanza.

…imaginative, and useful series that will increase the dimension of sound in your worship space. Short hymn introductions with a variety of textures and timbres are provided. Each hymn setting also has alternate harmonizations that can be easily integrated to accompany an internal or final stanza.

A collection of twenty alternate hymn harmonizations by David Maxwell, designed to be played with or without descant as the final stanza of a hymn. Parts for instrument in C and B-flat included.

…of hymn settings perfect for use on a final stanza of the included twenty hymn tunes that span twenty-seven hymns throughout Lutheran Service Book. These grand settings include an alternate organ harmonization and are provided with reproducible parts for optional descanting C and B-flat instruments.

…duo, a playful trio with easy melody lines in the pedal, a reflective pastorale, and an energetic finale. An additional movement provides an alternate hymn harmonization for congregational singing. This tune is also commonly associated with the hymn “O God of God, O Light of Light.”

…EBENEZER receives an extensive treatment in this five-movement partita by Benjamin M. Culli. The first movement can function as an alternate hymn harmonization. The Meditation is lovely and sweet, creating a surprising but engaging mood for the tune. The Alla Marcia is regal, the Scherzo playful.…

…a hymn that has been divided in its presentation. The harmonizations offer an alternative to standard hymnal settings and are intended to provide musical variety when combined with them. In some cases, at the discretion of the musician, they can also be used as an alternative to the hymnal setting.

…a hymn that has been divided in its presentation. The harmonizations offer an alternative to standard hymnal settings and are intended to provide musical variety when combined with them. In some cases, at the discretion of the musician, they can also be used as an alternative to the hymnal setting.

…EBENEZER receives an extensive treatment in this five-movement partita by Benjamin M. Culli. The first movement can function as an alternate hymn harmonization. The Meditation is lovely and sweet, creating a surprising but engaging mood for the tune. The Alla Marcia is regal, the Scherzo playful.…

A gentle hymn-like composition that alternates between unison voices for men and women and an easy four-part section. The organ accompaniment offers simple harmonic support. SATB, organ; Easy.