Funeral Music

A set of accessible organ settings on seven favorite hymns of comfort suitable for preservice music or hymn preludes for funerals or memorial services by Kenneth T. Kosche. Because funeral services arrive on short notice, these preludes may be worked up quickly. In all cases, the hymn tune is…

…Fedak in a variety of styles, keys, and textures. Each tune highlights an important phrase from the hymn text and brings it into focus through the music. All but the last prelude are quiet and contemplative, with the final statement of “This truth remains unshaken” using WAS GOTT TUT.…

…organ preludes and postludes drawn from the best of the Concordia Publishing House catalog and featuring eleven of our finest composers. Compiled by Mary F. Carbello with practicality and functionality in mind, this collection will become the organist's go-to book for funerals and memorial services.

With very accessible settings for organ, Benjamin Culli gives attention to a number of hymn tunes that have little written preludes, such as ANTHES and FINLANDIA. These settings are very usable for funerals and memorial services and various seasons in the liturgical year.

Charles W. Ore’s tenth installment in our longest-running organ series, which began in 1971. Full of the characteristic writing of Charles Ore, Set X features imaginative settings of familiar tunes as well as several under-treated tunes.

Compositions designed by the German and American Lutheran masters for practical integration into worship. The registrations are designed for two manuals and pedal. However, they may also be played on one manual with or without pedal.

The sermon prepared and preached by Rev. Martin Geier based on Psalm 119:54, is a detailed working out of the implications of Luther's attitude toward music, set within the context of the late 17th century in which Schütz worked. Also contains a primary

Edited and arranged from various movements taken from sonatas, trios, arias, concertos, and orchestral music by some of the well-known musicians of the Baroque era. Suitable for preludes, voluntaries, and postludes throughout the Church Year.

Edited and arranged from various movements taken from sonatas, trios, arias, concertos, and orchestral music by some of the well-known musicians of the Baroque era. Suitable for preludes, voluntaries, and postludes throughout the church year.

…celebrate it with a modern edition of one of his compositions. The aria Ach Gott, wie lästu mich verstarren was written for the funeral of Erhard Titius, the director of music at the Gymnasium in Zittau, Germany, which took place on May 19, 1681. It is the earliest known vocal work by Kuhnau, Johann…

…celebrate it with a modern edition of one of his compositions. The aria Ach Gott, wie lästu mich verstarren was written for the funeral of Erhard Titius, the director of music at the Gymnasium in Zittau, Germany, which took place on May 19, 1681. It is the earliest known vocal work by Kuhnau, Johann…

…setting has a brief section of attractive contrapuntal writing in the middle section. When you purchase downloadable choral music, you will receive a single copy of the music saved as a PDF. You will have permission to reproduce the printed PDF up to, but not exceeding, the total number of copies…

This triumphant, exuberant setting expresses affirmation of Christ’s resurrection through a sparkling accompaniment, solid part-writing, soaring open chords, and exquisite harmonies. From the bright opening to the dramatically stunning ending, this anthem is perfect for Easter celebrations.

…motet is challenging, but the Luther motet is more manageable for choirs of all levels. Choirs may find it especially useful at Reformation, at Easter, and for funerals. Psalm 118:17 (KJV) I shall not die, but live, and declare the works of the Lord. Non moriar, sed vivam, et narrabo opera Domini.

An arrangement by Michael Helman of the popular Easter tune Duke Street attributed to John Hatton for 3–5 octave handbells and 3–5 octave handchimes. This tune is also used for the hymn “Jesus Shall Reign.” Also available for 2–3 octave handbells and 2–3 octave…

…this Gospel centered motet. Text written by Simon Dach and translated by HW Longfellow. When you purchase downloadable choral music, you will receive a single copy of the music saved as a PDF. You will have permission to reproduce the printed PDF up to, but not exceeding, the total number of copies…

This lovely setting of Psalm 23 is arranged for Unison choir and keyboard by Paul Bouman. This Psalm setting can be used for Good Shepherd Sunday and funerals.

This lovely setting of Psalm 23 is arranged for Unison choir and keyboard by Paul Bouman. This Psalm setting can be used for Good Shepherd Sunday and funerals.

…organ. The beautiful text calls on the Savior’s providence and care through difficult times. This piece might be used for evening services, funerals, times of tragedy, and at the end of the Church Year. Schalk has created a simple and effective setting of this hauntingly beautiful American…

The handbell part for the definitive Easter classic in hymn concertato form for SAB choir, congregation, organ, with optional trumpet and 2–3 octave handbells by John A. Behnke. A rhythmic trumpet descant dances on top in addition to a soaring soprano counterpoint with layering of all sorts of…

The handbell part for the definitive Easter classic in hymn concertato form for SAB choir, congregation, organ, with optional trumpet and 2–3 octave handbells by John A. Behnke. A rhythmic trumpet descant dances on top in addition to a soaring soprano counterpoint with layering of all sorts of…

An arrangement by Michael Helman of the popular Easter tune Duke Street attributed to John Hatton for 2–3 octave handbells and 2–3 octave handchimes. This tune is also used for the hymn “Jesus Shall Reign.” Also available for 3–5 octave handbells and 3–5 octave…

…soprano and tenor in the middle section. Use this piece for Easter Vigil, during the rest of the Easter Season, on All Saints’ Day, and for funerals. Revelation 21:4–5 (ESV) He will wipe away ev’ry tear from their eyes, and death shall be no more, neither shall there be mourning…

Flowing harmonic movement thoroughly undergirds congregational singing. A sturdy traditional setting. Reproducible congregational page included.