Organ And Viola

A downloadable set of alternate instrument parts corresponding with Instruments for All Seasons, Vol. 3 (Order No. 97-7297). Includes parts for C instrument, high and low B-flat instrument, E-flat instrument, alto clef, and bass clef.

A contemplative work using the typical Callahan "touches." ABA form. Especially good for those more meditative services. Parts for English horn, viola, clarinet, Horn in F and E-flat saxophone included.

Four noels from the French late 19th and early 10th century have been adapted for 2 Violins, Viola, and Organ by Albert Zabel. Instrument parts available separately, 97-6102.

Viola The Bell Anthem by Henry Purcell and edited by Thomas Gieschen. Scored for SATB choir, organ, 2 violins, viola, cello/bass, and continuo. The text of this anthem, based on Philippians 4:4–7, serves as the Introit for the Third Sunday in Advent and also as the epistle for the Fourth…

Violin II The Bell Anthem by Henry Purcell and edited by Thomas Gieschen. Scored for SATB choir, organ, 2 violins, viola, cello/bass, and continuo. The text of this anthem, based on Philippians 4:4–7, serves as the Introit for the Third Sunday in Advent and also as the epistle for the Fourth…

A setting of Heinrich Schütz's Seven Words from the Cross for SSATB, Soloists, 3 Violins, Viola, Violoncello, and Organ. Appropriate for use on Good Friday.

A setting of Heinrich Schütz's Seven Words from the Cross for SSATB, Soloists, 3 Violins, Viola, Violoncello, and Organ. Appropriate for use on Good Friday. This item contains the opening and closing choruses only.

SATB, Organ The Bell Anthem by Henry Purcell and edited by Thomas Gieschen. Scored for SATB choir, organ, 2 violins, viola, cello/bass, and continuo. The text of this anthem, based on Philippians 4:4–7, serves as the Introit for the Third Sunday in Advent and also as the epistle for the Fourth…

A setting of Heinrich Schütz's Seven Words from the Cross for SSATB, Soloists, 3 Violins, Viola, Violoncello, and Organ. Appropriate for use on Good Friday. When you purchase downloadable choral music, you will receive a single copy of the music saved as a PDF. You will have permission to reproduce…

The Bell Anthem by Henry Purcell and edited by Thomas Gieschen. Scored for SATB choir, organ, 2 violins, viola, cello/bass, and continuo. The text of this anthem, based on Philippians 4:4–7, serves as the Introit for the Third Sunday in Advent and also as the epistle for the Fourth Sunday in Advent.…

Violin I The Bell Anthem by Henry Purcell and edited by Thomas Gieschen. Scored for SATB choir, organ, 2 violins, viola, cello/bass, and continuo. The text of this anthem, based on Philippians 4:4–7, serves as the Introit for the Third Sunday in Advent and also as the epistle for the Fourth Sunday…

Violin II The Bell Anthem by Henry Purcell and edited by Thomas Gieschen. Scored for SATB choir, organ, 2 violins, viola, cello/bass, and continuo. The text of this anthem, based on Philippians 4:4–7, serves as the Introit for the Third Sunday in Advent and also as the epistle for the Fourth…

The Bell Anthem by Henry Purcell and edited by Thomas Gieschen. Scored for SATB choir, organ, 2 violins, viola, cello/bass, and continuo. The text of this anthem, based on Philippians 4:4–7, serves as the introit for the Third Sunday in Advent and also as the epistle for the Fourth Sunday in…

Continuo The Bell Anthem by Henry Purcell and edited by Thomas Gieschen. Scored for SATB choir, organ, 2 violins, viola, cello/bass, and continuo. The text of this anthem, based on Philippians 4:4–7, serves as the Introit for the Third Sunday in Advent and also as the epistle for the Fourth Sunday…

The Bell Antem by Henry Purcell and edited by Thomas Gieschen. Scored for SATB choir, organ, 2 violins, viola, cello/bass, and continuo. The text of this anthem is based on Philippians 4:4–7, serves as the Introit for the Third Sunday in Advent and also as the epistle for the Fourth Sunday in…

Cello and Bass The Bell Anthem by Henry Purcell and edited by Thomas Gieschen. Scored for SATB choir, organ, 2 violins, viola, cello/bass, and continuo. The text of this anthem, based on Philippians 4:4–7, serves as the Introit for the Third Sunday in Advent and also as the epistle for the…

Cello and Bass The Bell Anthem by Henry Purcell and edited by Thomas Gieschen. Scored for SATB choir, organ, 2 violins, viola, cello/bass, and continuo. The text of this anthem, based on Philippians 4:4–7, serves as the Introit for the Third Sunday in Advent and also as the epistle for the…

A setting of Heinrich Schütz's Seven Words from the Cross for SSATB, Soloists, 3 Violins, Viola, Violoncello, and Organ. Appropriate for use on Good Friday. This item contains the opening and closing choruses only. When you purchase downloadable choral music, you will receive a single copy of…

These festive settings may be played in their entirety or individually as preludes, voluntary music, postludes, hymn introductions or hymn accompaniments. The tune is always present and recognizable for unison congregational singing from the hymnal.

These festive settings may be played in their entirety or individually as preludes, voluntary music, postludes, hymn introductions or hymn accompaniments. The tune is always present and recognizable for unison congregational singing from the hymnal.

…(Double Bass); Organ The Messe de Minuit pour Nöel (The Midnight Mass) is one of twelve settings of the Mass Ordinary found among Charpentier's autograph manuscripts in the Bibliothèque Nationale at Paris. Scored for soloists, four-part mixed chorus, flutes, strings, and organ, it is not perhaps…

These festive settings may be played in their entirety or individually as preludes, voluntary music, postludes, hymn introductions or hymn accompaniments. The tune is always present and recognizable for unison congregational singing from the hymnal.

These festive settings may be played in their entirety or individually as preludes, voluntary music, postludes, hymn introductions or hymn accompaniments. The tune is always present and recognizable for unison congregational singing from the hymnal.

The hymn tune is clearly stated in multiple settings that may be used for preludes, offertories, postludes, alternative accompaniments, and interludes. The instrumental ensemble is fairly independent from the organ score, but artfully scored. Instrumental parts are reproducible!